In the interest of full disclosure, I’ll say at the outset that I’ve never liked Superman outside of the first two Christopher Reeve movies. At various times in my life, I’ve tested the Superman waters again, both on paper and film, and have been disappointed. My problem has generally been that you can’t relate to him. He’s perfect, really. If you’re a human villain trying to defeat Superman, you have to either find some kryptonite or become a magician (or realtor, apparently.) Otherwise, you have to be a super powerful alien or an alien robot. When someone pulls a gun on Superman, we yawn. Also, my impression of Clark Kent was that he’s a bit of a wiener. That’s mostly an act, because Superman (Kal-El) is quite confident and fearless. But the fact that either we see Clark as a fuddy-duddy weakling or Superman as an all-powerful half-god exemplar of interstellar perfection, there’s not much to relate to. Also, his method of hiding the fact that he’s Superman (thick-rimmed glasses) is stupid. The explanation I once received that he actually hides his identity by some kind of mind control (on everybody!?) is stupider.
The March solicitations for DC Comics have been released. Check it out. Here are my thoughts about what we’ve been shown this month.
1. Reintroductions. Several titles for the month of March focus on the reintroduction and reinterpretation of old characters from the pre-New 52 era. Some of the seem to be All New All Different and other look to be about the same. Still, they say they’re brand new, so maybe we’re still missing something.
The H.I.V.E. has traditionally been an enemy of the Teen Titans, however it appears to be focusing on Metropolis and therefore will come to blows with Superman. The H.I.V.E. has been subject to several changes to its core concept over the many years. It was originally a group of unnamed villains brought together to fight the Teen Titans, then it became a much bigger organization, until finally being taken over by the Queen Bee and becoming her actual ‘hive’. Time will tell how the group will be portrayed here. It could be something completely new.
Zealot will be joining Stormwatch in issue #18 and she appears to be creating problems for the group’s dynamic duo of Apollo and Midnighter. Zealot is a Kherubim, an alien race that has been at war with the Daemonites for thousands of years. If the conflict between these two races is still canon I think it’s likely that DC is building up to the introduction of the Wildcats. Grifter is now without a title and now that Spartan and possibly something to do with Mr. Majestic are being introduced in February, I think once Zealot plays her part in Stormwatch she could be showing up elsewhere.
Here is the first full-length trailer of “Man of Steel.” From what we can gather here, it looks like the thrust of the film will be Clark’s internal struggle about his purpose and powers (obviously, it’s an origin story), and the world’s wariness and animosity towards him. Personally, I think he looks like a good Superman, and Amy Adams as Lois Lane will be interesting for sure. And with Zod as the villain, maybe we can finally expect some real action this time around.
Creator owned comics are dead. Literally. But maybe it’s more than that. Maybe no one wants to buy anything new anymore and with that reality the industry dies a little more. New characters have always had a hard time finding an audience. Everyone wants a new #1, but no one wants to buy a comic about someone they don’t already know. On top of that, the recent trends within mainstream comics has moved towards stifling creative endeavors in favor of proven successes. All this is leading comic book creators to shy away from creating new concepts for mainstream comics, but their independent creative owned books never find the sales for success. In essence we’re being robbed of so much potential.
The sudden cancellation of a comic book NAMED Creator-Owned Heroes tells a lot about what comic book fans are looking for. A book starring characters created by the likes of Jimmy Palmiotti, Justin Gray, Steve Niles, Phil Noto, Darwyn Cooke and others is a big deal, and yet people weren’t buying it. Sales were in the 5,000 range and they were asking for only a little bit more than that. Palmiotti and Gray have a loyal following from writing Jonah Hex and now All-Star Western, Steve Niles created 30 Days of Night and so many other things, Phil Noto is a popular cover artist at Marvel and DC, and Darwyn Cooke is the type of creator that you follow religiously. It was thought that all these creators’ fans would come together in order to support the book. Apparently not. Creator-owned concepts don’t always make it at Image Comics, but what about Marvel or DC, the companies that everyone wants to read and make the most money.
DC Comics’ cancellation zone seems to be somewhere under 20,000 units sold. Of the titles not already cancelled, these are the titles that fell under that mark in the month of October: Ravagers, DC Universe Presents, Dial H, Batwing, Firestorm, Savage Hawkman, Legion of Super-Heroes, Demon Knights, Deathstroke. That doesn’t mean that these are the titles that will be cancelled next. Some of them most certainly will be cancelled, but others will probably be given extra time to regain lost readers with a change in focus or creative team. These are usually the signs of a book before cancellation. Sometimes you can even tell a book is going south before the sales figures can even be posted.
1. Phantom Stranger doesn’t sound like a title that will make it very long. It was kind of a surprise that it even existed in the first place. I figured the Stranger would be walking around somewhere, but definitely not in his own title. It’s kind of hard to see this book even making it through its first year. While the title has seen better sales than probably expected (people love Phantom Stranger), the book has already seen a 35 spot drop in its second month of publication. Many other New 52 books have been cut short after issue #8 and I wouldn’t be surprised if this was one of them.
The problem with the book stems from the Phantom Stranger character himself. He’s been traditionally depicted as a mystery. Where did he come from? Why is he doomed to wander the Earth alone forever? Was he a fallen angel? Was he the biblical Judas? No one ever knew and it was really fun to be able to guess about it. But in the New 52? No. He’s definitely Judas Iscariot, he was punished to wander the world looking like he’s a crime noir coachman and he wears a necklace made out of the thirty pieces of silver he sold Jesus for. Now he has a secret identity and he has a mission and a motive. This is not the Phantom Stranger. Elimination of all the mysteries surrounding him does not make him a more compelling character, it makes him feel hollow. Especially when he’s a religious figure. I can only imagine what actual religious people think about this.
Karen Berger has left Vertigo. If you don’t know who that is you should probably learn. She has been the Editor-in-Chief of Vertigo since its inception in 1993. She’s not just leaving the company, she’s apparently leaving the industry in general, desiring a “professional change.” Karen Berger has been a legend in her field for the past twenty years, helping to usher in titles like Sandman, Hellblazer, V for Vendetta, Fables, Preacher, The Invisibles, 100 Bullets, Y: The Last Man, American Vampire and many many others. It’s hard to think how the comic book imprint will function without her guiding it.
Perhaps that’s just what DC Comics wants, though. Recently, Vertigo has been on shaky grounds. A few years back DC changed their contract language, essentially taking away royalties if a creator’s comic doesn’t sell well. That sounds fair, but the company now holds their standards as high as 50,000 units sold, which Vertigo books never reach. Meaning all creators, even if their title is successful will miss out on royalties that they once were entitled to. This seems to be stemming from an idea that Vertigo isn’t really the moneymaker it used to be and DC has been left footing the bill for underperforming titles more than they prefer.
While Vertigo still pays their writers the most in the creator-owned community, their previous contract changes have caused popular Vertigo creators to move their work to other comic book publishers. DC now owns 50% of the media property rights for all their Vertigo titles and, understandably, people don’t like that.
We decided to discuss what we felt was wrong about DC Comics’ New 52 and compare it to Marvel NOW! We talk about costumes, Jack Kirby, Superman, Spider-Man, Hulk, Daredevil and a lot more.
Jason: There’s nothing interesting happening in the New DCU. It’s all just repetition of old comics and stories we’ve already seen.
Johnnie: Yeah, that was my impression as well. I mean, ideally the New 52 was designed to bring in new readers. But what they’re doing with it is so uninteresting to me, I just didn’t bother with 99% of the revamp. The only one I’ve gotten into is Batman. And even then I was already interested in reading Batman. Plus those costumes. My God.
Jason: We could write an entire book about why every costume in the New 52 is absolutely horrible. Superman has so many lines going all over his body that it’s hard to know what to look at. It’s like they tried so hard to make the costumes look ‘real’ that they look so unbelievably overdrawn and unrealistic.
Johnnie: Yeah, I think Superman is probably the worst offender I’ve seen. But it goes beyond just those totally unnecessary, goofy lines. His suit is also not like, cloth. It’s this weird alien technology. Like, I don’t even know how to describe it. What is it exactly?
Jason: It’s some kind of technology that materializes when he wants it to. No more itchy costume under his business attire. He can just rip off his shirt and mentally command his suit to materialize! It’s so necessary!
I started this post as a reactionary rant against sexism like
this (this post has since been taken down and lost by Google Cache, so you can find exactly what I am referring to here, with the first post without sexist/homophobic/misogynistic commenting here) and this, but I feel that I have nothing to really add to the arguments that haven’t already been made here and here. Instead I decided to focus on my own feelings about comic books and how the industry tends to act towards women.
In the interest of providing documented proof on the practice of maiming and punishing women in comic books, as well as the the push back against such practices, I present to you Women in Refrigerators.
(Some of these links may not be work safe)
DC Comics seems kind of confused about how they want to portray women in the New 52. Sometimes they’re respectful and other times they’re not so much. I tried to put together a pattern, but I don’t think one actually exists.
At first it seemed like they were turning over a new leaf; DC deemed fishnets to be illegal and both Black Canary and Zatanna were given new costumes. Wonder Woman has been desexualized in the pages of her own book in order to actually focus on the story. Mera is an equal in the pages of Aquaman and is a total badass.
Then Voodoo #1 took place inside of a stripclub and everyone was naked. Catwoman had her boobs out for no good reason, culminating in a bizarre Batman-Catwoman sex scene on a roof, in their costumes. Supergirl went from a modest teenager in a tasteful skirt to a much more alien warrior-like woman in a bathing suit bottom that conveniently accentuates her crotch. Red Hood and the Outlaws reintroduced Starfire as a hyper-sexualized alien who could not really tell the diference between men or even really remember who she slept with in the first place.
The Uncanny Avengers are expanding. Marvel has revealed that the team, once depicted as having only six members, will soon balloon to a total of nine. Now Captain America, Wolverine, Thor, Rogue, Scarlet Witch and Havok will be joined by Sunfire, Wonder Man and Wasp.
In Avengers vs. X-Men five mutants, Cyclops, Emma Frost, Magik, Colossus and Namor, are given the power of the Phoenix to reshape the world. Obviously that didn’t go so well. They fight amongst themselves, destroy whole civilizations and Cyclops ends up killing Professor Xavier. Now everyone hates mutants even more, if that was possible. To help the mutant image, Captain America creates a team made up of X-Men and Avengers. Captain America, Thor and Scarlet Witch are the Avengers, Wolverine, Havok and Rogue are the X-Men.
The data from all of the telescopes are integrated and assembled by Superman to create images of Rao and Krypton. The images of Krypton’s tragic death have just reached the Earth, twenty-seven years after the event. Surrounded by astrophysicists, Superman witnesses the destruction of his home planet. In other words, Krypton was located on its final day of existence.
I’m not entirely sure how science is able to take images from the depths of space and turn them into 3D HD holographic movies. Maybe Superman has a Kryptonian projector with him.
DC has described the events that took place in Action Comics #14 as ‘game-changing’. But I’m not sure how that could be. Even people that know nothing about Superman know that Krypton blew up. The top five things people know about Superman: 1) He’s Clark Kent, 2) He’s crazy about Lois Lane 3) He’s vulnerable to Kryptonite 4) Lex Luthor hates him 5) Krypton blew up. How can this be anything other than more retreading of the Superman origin story? Can we maybe move on yet?
For me the biggest story out of all of this is dating the destruction of Krypton to 27 years ago. That in itself immediately dates everything that has to do with Superman. The old DCU was very careful never to date anything because it would age their characters. They simply used phrases like “many years ago,” or “Before” to tell you when something occurred, and that was it. I’m not creating a timeline of the DC Universe, I don’t need to know in what year Batman’s parents were killed in order to compare it to the arrival of Superman.