Tag Archives: Matt Kindt

How Dark Horse Can Survive After Star Wars

Sledgehammer 44 #1

Dark Horse’s licensing contract for Star Wars comics seems to be ending in 2015. Now that Disney owns Lucasfilm and Marvel Comics, it only makes sense that Disney would want Marvel to publish Star Wars comic books. 2015 sounds like it’s going to be the year of Star Wars, with Episode 7 due in theaters, but what about Dark Horse Comics? Star Wars comics have been a Dark Horse staple for twenty years and now they’ll have to find another way to make up for the business they’ll be losing in two years. Thankfully, their March solicitations prove that they have the ability to survive.

1. Hellboy. People love Hellboy. I love Hellboy. You’ve seen Hellboy, but you should probably also read Hellboy too because it’s a lot of fun! Just this month alone has four issues from the Hellboy universe. Hellboy’s journey through hell continues in Hellboy in Hell, while the B.P.R.D. has two titles out that month. An agent fights vampires in B.P.R.D.: Vampire, as a follow up to the 1948 mini-series and the Hell on Earth saga continues with the now ongoing series B.P.R.D. Hell on Earth #105. Sledgehammer 44 #1 introduces the Iron Man of the Hellboy universe, as a man in armor fights Nazis in France during World War II.

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What is Happening to Vertigo?

Karen Berger has left Vertigo. If you don’t know who that is you should probably learn. She has been the Editor-in-Chief of Vertigo since its inception in 1993. She’s not just leaving the company, she’s apparently leaving the industry in general, desiring a “professional change.” Karen Berger has been a legend in her field for the past twenty years, helping to usher in titles like SandmanHellblazerV for VendettaFablesPreacherThe Invisibles100 BulletsY: The Last ManAmerican Vampire and many many others. It’s hard to think how the comic book imprint will function without her guiding it.

Perhaps that’s just what DC Comics wants, though. Recently, Vertigo has been on shaky grounds. A few years back DC changed their contract language, essentially taking away royalties if a creator’s comic doesn’t sell well. That sounds fair, but the company now holds their standards as high as 50,000 units sold, which Vertigo books never reach. Meaning all creators, even if their title is successful will miss out on royalties that they once were entitled to. This seems to be stemming from an idea that Vertigo isn’t really the moneymaker it used to be and DC has been left footing the bill for underperforming titles more than they prefer.

While Vertigo still pays their writers the most in the creator-owned community, their previous contract changes have caused popular Vertigo creators to move their work to other comic book publishers. DC now owns 50% of the media property rights for all their Vertigo titles and, understandably, people don’t like that.

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