I’ve been meaning to write about Mark Waid’s Daredevil series for a long time now. I feel like I shouldn’t even have to say this, but if you don’t already read Daredevil, you need to start right now. You can find people saying the exact same thing here, here, here, and here. Honestly, if you love comic books, there’s really no reason for you not to pick up this book. It easily competes with Thor: God of Thunder for Marvel’s powerhouse series. Issue #22 has all the elements that have made the series great so far, and it’s a perfect jumping-on point for anyone not already reading the book. This issue is also one of the first appearances of the highly controversial Superior Spider-Man, as well as the return of Daredevil’s most ridiculous enemy, Stilt-Man. And in true Mark Waid fashion, he manages to do the seemingly impossible by making Superior Spider-Man likeable and Stilt-Man menacing.
Spider-Man: Fever is quite the adventure. Brendan McCarthy pulls double duty and brings Spider-Man into the world of spider magic. According to McCarthy the book is an homage to Steve Ditko’s Doctor Strange stories from the 60’s, and boy is this book trippy. Spider-Man’s soul is abducted by a spider-demon who brings him to the ancient Webwaze, a dimension that all spiders call home. Doctor Strange goes in after him and it gets weird. Bipedal talking dogs, an aborigine with inter-dimensional walking shoes, a fly that used to be a man. Also, Doctor Strange rides along a river through space in a duck boat. That happens.
Spider-Man is also in this comic book! The King of the spiders wants to eat Spider-Man so he sends him off to the insect realm to prove whether or not he is a spider or a man. McCarthy explores the dual identity of Spider-Man as not just Peter Parker and Spider-Man, but as human and spider. In recent years there have been attempts to move Spider-Man’s origins towards something more to do with magic than science. We meet the spider who bit Peter all those years ago and discover its motives. It sought out Peter before and now it attempts to control him. Peter must decide if he is a man, free to make his own decisions, or a spider, with his destiny seemingly already decided.
Let’s face it. The average, everyday comic is not much unlike a soap opera. Drama unfolds, bizarre elements are thrown in and the stories continue on in a never ending serialization. Of course, comics have the potential to be so much better, and they have been, but they’re normally the same. People even make fun of them for the same things. In soap operas everyone has an evil twin, people fight over who gave birth to what baby, everyone has amnesia, and people come back from the dead.
These gimmicks are trademarks to the soap opera genre and these gimmicks are what keep the general population from seeing them as anything other than a joke. In comics, people are cloned, babies come in and out of continuity, there’s amnesia and comas, and people come back from the dead. Those are the gimmicks that make many people think comic books are a joke.
Spider-Man doesn’t help that image. Spider-Man is a gimmick. Not Spider-Man himself, but the stories he appears in. Think about the most well known Spider-Man stories in the last 20 years. The ones that got either a lot of attention from the media, or just stick out like sore thumbs in the ongoing story of Peter Parker. There was “the Clone Saga”, where Peter was cloned and a new character, Ben Reilly took his place for a time. That went on for several years during the ’90s. Then a few years later, with the release of Spider-Man in theaters, there was “The Other”, where Peter Parker was turned into a giant spider, died, and gave birth to himself just so he’d have organic web shooters like in the movie.
MAJOR SPOILERS AHEAD!!! YOU’VE BEEN WARNED.
If you’re a fan of comic books and you use the internet, which I think is likely given that you’re reading a comic book blog right now, you’ve probably already seen that the ending of Amazing Spider-Man #700 was leaked today and anyone who has seen the spoiler now knows who becomes the Superior Spider-Man, a plot point which has been shrouded in secrecy for months now.
Again, SPOILERS AHEAD!
If you’re curious, if you don’t care about spoilers, or if, like me, you are so fed up with Dan Slott and his shitty shitty oh so shitty Amazing Spider-Man stories and don’t care anymore, here is the link.
Of course, since this is a spoiler preceding even the release of advance copies, either it’s fake or some sneaky intern at Marvel (or Dan Slott, for all we know, given his track record of fucking with readers) took pictures of the actual book and posted it on 4chan. Now, I am pretty confident this is real, since I saw on Dan Slott’s Facebook page today that he wrote a post saying that ASM 700 had leaked and everyone should be careful if they don’t want it ruined for them. Plus, the leak isn’t just a plot description; there are actual pictures there, and the images are clearly Humberto Ramos’s penciling.
It has been nearly ten years since Fox released the poorly-received Ben Affleck vehicle Daredevil to theaters. Though much of the criticism of that film was justified, it was certainly exaggerated. Yes, it was far from perfect, but much of the hostility about that film had more to do with Bennifer “Gigli” Affleck’s shaky career and tabloid popularity at the time, and less to do with the actual quality of the film. Given Affleck’s meteoric rise in the director’s chair in the last few years, if Daredevil were made with Affleck today, I doubt very much it would have been panned so harshly. It still would have received its fair share of deserved criticism, but Affleck wouldn’t have gotten a Razzie for it. Daredevil definitely had its problems, but many of those were remedied in the 2004 Director’s Cut version of the film. If you’re a Daredevil fan and were disappointed with the theatrical release, then you need to check out the R-rated Director’s Cut. It’s darker, more violent, and includes an interesting subplot that was entirely cut from the theatrical version. Yes, some unforgivable problems still remain, such as the atrocious soundtrack where the orchestral score would have sufficed, and the unintentionally funny fight scene in the park still made the cut. But in general, it’s a vast improvement over the original, and certainly worth two hours of your time. It’s a very fun movie, and it looks great. And frankly, I think Ben Affleck looks the part and did a good job playing it too.
A new poster for Man of Steel has debuted featuring a handcuffed Superman being led a platoon of soldiers. Obliviously Superman could bust right out of those, so this must be some kind of good faith effort.
Christopher Nolan has recently stated in an interview that Superman can’t be treated the same way that Batman was in his film trilogy. Superman is inherently different and not as grounded as Batman is, so he must be approached in a unique way. It’s clear that they want to create a film series like they did with Batman, but they won’t try to do anything that seems unnatural for the character. I guess that sounds like a good thing.
I recently came across the apparent leaked script that made its way around the internet a year ago. It was so far from the actual release date that the leaked script could have really ben anything. I suppose that’s why I didn’t pay much attention to it then. Since then several set pictures have also leaked and a teaser trailer has been released, so it feels like this might actually be the real deal. Here is the script, read at your own risk. I have to say that if this is the real thing than this movie is going to be amazing. Lots of character moments and lots of fighting. Exactly what you wanted.
Story – Dan Slott
Art – Humberto Ramos
When I was a little kid, around middle school age, I had an almost sadistic fascination with destruction. I would often take old action figures I no longer used, place them in a plastic bowl filled with water, and put them in the freezer. The next day, Daredevil or Batman would be frozen in the ice, often with one limb awkwardly sticking out. I’d take these frozen action figures outside and hurl them into the air just to watch them shatter on the sidewalk. Dan Slott, as a writer, is like me as a bored middle school kid on a summer day. Dan Slott has taken Spider-Man, our Spider-Man, and hurled him into the air just to watch him shatter.
Maybe I’m being hyperbolic. But I have been so let down and angered over Slott’s stories and writing, that it truly does feel like more than just the end of The Amazing Spider-Man; it feels like destruction. Ruination. With each passing issue he does, I feel that he has taken one more brick out of Spider-Man’s foundation. My feeling right now is that next month’s last issue, #700, Slott will remove the keystone, and we’ll all have to suffer through Spider-Man’s destruction.